Jack Giroux — Page 7
‘People We Meet on Vacation’ Designer Reveals How They Recreated That Iconic Book Cover Moment
People We Meet on Vacation is sweet comfort for any fans of romantic comedies. Based on the…
How The Beast in Me Built Its Skin-Crawling Score, Straight From the Composers
Composers Sean Callery and Sara Barone break down how restraint, brittle textures, and subconscious unease shaped the psychological…
Netflix’s Go-To Director Stephen Surjik on ‘The Abandons’ and Making the Old West Feel Lethal
The Daredevil and Umbrella Academy director breaks down shooting The Abandons, from brutal Alberta locations to grounding a…
Showrunner Tasha Huo on Final Season of Netflix’s ‘Tomb Raider’ Series and ‘The Mighty Nein’
Showrunner Tasha Huo reflects on giving Lara Croft more joy, deeper cultural context, and emotional freedom in the…
How Kirston Leigh Mann Turned Ted Danson Into a Suit-Wearing Spy for ‘A Man on the Inside’ Season 2
Costume designer Kirston Leigh Mann breaks down Charles Nieuwendyk’s evolution from crisp academic to suave spy, and why…
Director Mike Rohl on Crafting Netflix’s Feel-Good Christmas Hit ‘My Secret Santa’
The director behind The Princess Switch breaks down real winter shoots, improv-fueled romance, and the small visual choices…
How Cinematographer Steve Yedlin Shot Netflix’s Darkest Benoit Blanc Mystery ‘Wake Up Dead Man: A Knives Out Mystery’
Steve Yedlin reveals how Rian Johnson’s latest Benoit Blanc mystery uses light and darkness to guide the audience…
How Jay Kelly Was Shaped in the Edit, According to Co-Editor Rachel Durance
The Jay Kelly co-editor breaks down Noah Baumbach’s rhythms, Clooney’s editorial generosity, and how pacing, memory, and restraint…
‘Troll 2’ Writer Espen Aukan on Going Bigger, Going Darker, and Killing a Fan Favorite
From Michael Bay nods to Empire Strikes Back logic, the Troll writer explains how the sequel found its…
Why Wake Up Dead Man Sounds Nothing Like Previous Knives Out Movies: Interview with Nathan Johnson
The composer breaks down how conceptual motifs, clashing tempos, and unsettling textures shape the most gothic Benoit Blanc…
Rian Johnson on the Spiritual Core of Wake Up Dead Man and Why Benoit Blanc Will Always Be a Mystery
In a wide-ranging interview, the legendary filmmaker breaks down the spiritual heart of the next Knives Out, Blanc’s…
Inside ‘Train Dreams’: How Cinematographer Adolpho Veloso Brought a Robert Grainier’s Life to the Screen
Train Dreams is a life-affirming heart-breaker. Based on Denis Johnson’s novella, the spiritually rich drama shows a man’s…
John Debney on Channeling Childhood Wonder for the Dream Worlds of ‘In Your Dreams’
Debney explains how classic adventure scores, personal memories, and delicate emotion shaped the film’s music.
Dennis Berardi on Rebuilding Mr. X and Crafting the VFX Heart of Guillermo del Toro’s Frankenstein
Berardi breaks down how models, miniatures, and meticulous digital artistry came together to create the film’s most explosive…
Alexandre Desplat Talks Scoring Guillermo del Toro’s Frankenstein and the Poetry Behind Its Music
Desplat says the heart of Frankenstein is a romance filled with yearning and fragile beauty, not a tale…
Inside ‘The Beast in Me’: Daniel Pearle on Crafting The Perfect Script for Claire Danes and Matthew Rhys
Writer Daniel Pearle breaks down the twisted mind games at the heart of Netflix's new limited series, The…
How Selena Gomez and Teddy Swims Landed on the ‘Nobody Wants This’ Season 2 Soundtrack
The trio behind the show’s soundtrack: Manish Raval, Tom Wolfe, and Jonathan Leahy, give us the inside scoop.
‘Death By Lightning’: How Mike Makowsky Turned a Forgotten President’s Murder Into a Netflix Series
Creator Mike Makowsky dives into one of America's strangest true stories with Death By Lightning, Netflix’s darkly funny…
What Guillermo del Toro Keeps and Changes from Mary Shelley’s Frankenstein
A look into some of the key differences between the film and the book.
Inside Frankenstein: How Tamara Deverell Built Guillermo del Toro’s Tower of Creation
Production designer Tamara Deverell talks crafting the film’s haunting laboratory and lush, hand-built worlds that fuse history, myth,…