We chat with 'Big Mistakes' composer Nora Kroll-Rosenbaum about collaborating with Dan Levy and crafting the show's anxiety-inducing, heart-pounding score.
We chat with composer Kevin Smithers about crafting the "wonder and terror" for Netflix's stunning new Mexican stop-motion movie, 'I…
We speak with costume designer Caroline Duncan on crafting the nostalgic '90s look for…
From Bill Pullman's vacation style to Alfred Molina's heavy layers, 'The Boroughs' costume designer…
We sat down with director Ol Parker to discuss his new Netflix rom-com 'Office…
Production designer Simon Walker shares exclusive details on how Netflix's upcoming 'Lord of the Flies' series brought William Golding's legendary novel to life on location in Malaysia.
Cinematographer Ashley Connor reveals the innovative camera rigs and creative choices used to bring Marcellus the octopus to life in Netflix's upcoming adaptation.
Revisiting beloved characters, forgotten bands, and the early days of their comedic partnership, Fred and Carrie's Portlandia reunion was a joyous tribute to fifteen years of silliness.
VFX Supervisor Kevin Lingenfelser reveals how his team crafted grounded destruction and turned a vacant warehouse into a massive post-explosion wasteland.
The showrunners discuss subverting classic genre tropes, finding inspiration in classic literature, and turning the unseen neighborhoods of Los Angeles into a central character for their new cat-and-mouse crime drama.
Composers Siddhartha Khosla and Alan DeMoss reveal how they used an African bass and "pop record" production to redefine the breezy, California sound of Netflix’s hit comedy.
Odd Studio co-director Adam Johansen breaks down the intense practical effects behind Tommy Wirkola's shark thriller and details the gruesome, fully articulated puppet deaths that were too extreme for the final cut.
The live event suffered from a bloated three-hour runtime, but brutal surprise sets from Katt Williams and Dwayne Johnson ultimately saved the night.
The veteran designer discusses creating a grounded reality for the gritty new action thriller, researching authentic favela fashion, and why film crews must support each other during industry slowdowns.
The Netflix is a Joke festival took a strange turn during Bill Simmons live show.
Composer Max Aruj discusses stepping into the world of Man on Fire, detailing how he balanced heavy percussion and action with the intimate, emotional weight of a haunted protagonist.
Netflix is a Joke's 40th-anniversary celebration of Pee-wee's Playhouse brought musicians, comedians, and fans together at the Greek Theatre for a beautiful, puppet-filled tribute to Paul Reubens' timeless legacy.
Editor Kasey Myers takes us behind the scenes of Running Point Season 2 to break down the art of the half-hour comedy, shaping the Gordon family's chaos, and finding the perfect pace for a joke.
From the busy streets of Mexico City to the favelas of Rio, Coda and Barry DP Paula Huidobro reveals how she captured the visceral, handheld action of the new Netflix series.
Cinematographer Christine Ng breaks down her approach to Netflix’s new series, detailing how she balanced grounded suburban humor with gritty, high-stakes crime.
The creative duo behind the series share how they embraced short runtimes, Vancouver Island's natural beauty, and Zach Galifianakis' unscripted humor to craft a loving ode to horticulture.
The Oscar-nominated DP reveals how grueling hikes, tiny drones, and ditching traditional Hollywood gear brought real danger to Baltasar Kormákur's visceral survival thriller.
Apex screenwriter Jeremy Robbins breaks down the rules he ignored to write a lean, mean survival thriller for Charlize Theron and Taron Egerton.
Eric Robles and Ian Graham discuss bridging the gap between seasons two and three, using Avatar-level epic animation, and bringing the franchise's iconic Kyle Lambert posters to life.
The writer and producer opens up about joining the acclaimed Netflix drama, navigating the WGA strike, and the secret to crafting television's most deeply flawed characters.
