How the Cobra Kai Stunt Coordinator Don Lee Went From Fanboy to Testing Ralph Macchio for His Black Belt
A look back on the stunt co-ordinators time on Netflix's flagship series plus the surreal story of how he ended…
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Director Patrick Hughes on Why ‘War Machine’ is Secretly a Slasher Movie in Disguise
Director Patrick Hughes reveals the literal nightmare that inspired his "grueling" action-horror hybrid and why Alan Ritchson is the modern-day Arnold Schwarzenegger.
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Titmouse Founder Chris Prynoski on Surviving and Thriving in Animation For 25 Years
From Strip Law, Love Death and Robots and Haunted Hotel to Agent Elvis, Big Mouth and Scavengers Reign, Titmouse have a hand in a LOT of Netflix's biggest animated titles.
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Composer Dmitri Golovko Interview: The Secret Medieval War Horn Behind Netflix’s ‘War Machine’ Score
Golovko tracked down a craftsman in France who hand-beats 2,000-year-old Celtic carnyx horns into shape — and talked him into recording 200 samples for the film.
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Could Netflix Have Its Best Oscars Night Ever? Here’s Where The Race Is At
With days to go, we look at the odds of Netflix coming away with a grand prize.
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Behind the Scenes with Arrested Development, The Good Place, and A Man on the Inside Composer David Schwartz
David Schwartz seriously knows how to make a show feel light on its feet. The composer is behind Arrested Development, The Good Place, Northern Exposure, and most recently, the Michael Schur-created Netflix series, A Man...
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Inside Netflix’s ‘Strip Law’: Creator Cullen Crawford on Machine-Gun Jokes, Legal Parodies, and His Human Made Title Card
The mind behind the surreal new animated comedy discusses the art of relentless gags, finding humor in the misery of the legal system, and why he proudly ensured absolutely zero AI was used in making the show.
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Netflix Has Never Won The Best Picture Oscar, But These 10 Films Show It Should Have
In 2019, Netflix scored its first Best Picture nomination at the Academy Awards with Alfonso Cuarón’s Roma. Since then, the streaming service has yet to win the top prize. However, it is not due to...
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BAFTA Breakthrough Nathalie Pitters on Painting ‘How to Get to Heaven From Belfast’ With Bold Color, Warped Lenses, and Cinematic Comedy
The cinematographer breaks down her rule-breaking color palette, noir-tinged visuals, and how explosive set pieces and Irish landscapes shaped the show’s uniquely vibrant, cinematic comedy.
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‘How to Get to Heaven From Belfast’ Editor Nigel Williams on Crafting Comedy, Chaos, and a Mystery Within a Mystery
Editor Nigel Williams breaks down blending suspense and comedy, real explosions, hidden Easter eggs, and the intricate editing behind Lisa McGee’s twist-filled mystery series.
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10 Netflix Movies That Should’ve Gotten Awards Love
Some of Netflix’s most entertaining and technically impressive films, from razor-sharp thrillers to genre-bending crowd-pleasers, prove awards glory does not always find the titles that deserve it most.
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‘His & Hers’ Cinematographer Ante Cheng Breaks Down The Looks of Netflix’s Hit Limited Series & Shocking Finale
Ante Cheng reveals how lenses, light, and dual perspectives shaped the haunting murder mystery and its jaw-dropping final twist.
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‘The Rip’ Costume Designer Kelli Jones Breaks Down Ben Affleck’s Jordans, Streetwear Cops & Crafting Authentic Style
Kelli Jones reveals how sneakers, streetwear, and subtle color storytelling shaped the grounded, hyper-real look of Netflix’s The Rip, from Ben Affleck’s Jordans to punk-leaning detectives.
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Cinematographer Juanmi Azpiroz on Crafting the Look of Netflix’s ‘The Rip’
Juanmi Azpiroz shoots The Rip with an old-fashioned punch. The cinematographer was always looking back to the past on the Joe Carnahan film, which is arguably more noir than action-thriller. Shadows loom large over the...
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From Harry Potter Fanfic to Netflix Hit: Yulin Kuang’s Journey to ‘People We Meet on Vacation’
Screenwriter Yulin Kuang discusses her Harry Potter fanfic roots, directing Beach Read, and why she fought to keep People We Meet on Vacation "horny and sexy" in an era of sexless films.
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Wesley Cardino Talks Cinematography on Netflix’s ‘Nobody Wants This’
Nobody Wants This is a sunny Los Angeles romance. The Erin Foster-created series is often light on its feet, which is no easy feat to pull off. While the comedy can go broad, that lightness...
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Joe Carnahan on ‘The Rip’: Treating Money as a Ghost and Directing Matt Damon & Ben Affleck
Carnahan talks to What's on Netflix about collaborating with Academy Award winners Matt Damon and Ben Affleck and the intense, claustrophobic set pieces that define the film.
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‘People We Meet on Vacation’ Designer Reveals How They Recreated That Iconic Book Cover Moment
People We Meet on Vacation is sweet comfort for any fans of romantic comedies. Based on the Emily Henry novel, Brett Haley’s film has got the awkward meet-cute, a dance sequence, and globe-trotting lovers...
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How The Beast in Me Built Its Skin-Crawling Score, Straight From the Composers
Composers Sean Callery and Sara Barone break down how restraint, brittle textures, and subconscious unease shaped the psychological duel at the heart of Netflix’s The Beast in Me.
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Netflix’s Go-To Director Stephen Surjik on ‘The Abandons’ and Making the Old West Feel Lethal
The Daredevil and Umbrella Academy director breaks down shooting The Abandons, from brutal Alberta locations to grounding a Western in real danger and character.
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Showrunner Tasha Huo on Final Season of Netflix’s ‘Tomb Raider’ Series and ‘The Mighty Nein’
Showrunner Tasha Huo reflects on giving Lara Croft more joy, deeper cultural context, and emotional freedom in the final season of Netflix’s Tomb Raider: The Legend of Lara Croft.
