‘His & Hers’ Cinematographer Ante Cheng Breaks Down The Looks of Netflix’s Hit Limited Series & Shocking Finale
Ante Cheng reveals how lenses, light, and dual perspectives shaped the haunting murder mystery and its jaw-dropping final twist.
Interviews — Page 2
-
-
‘The Rip’ Costume Designer Kelli Jones Breaks Down Ben Affleck’s Jordans, Streetwear Cops & Crafting Authentic Style
Kelli Jones reveals how sneakers, streetwear, and subtle color storytelling shaped the grounded, hyper-real look of Netflix’s The Rip, from Ben Affleck’s Jordans to punk-leaning detectives.
-
How Cinematographer Ashley Barron Created the Darkly Comedic Tone for ‘How to Get to Heaven From Belfast’
How did cinematographer Ashley Barron establish the look and feel of 'How to Get to Heaven From Belfast'?
-
Cinematographer Juanmi Azpiroz on Crafting the Look of Netflix’s ‘The Rip’
Juanmi Azpiroz shoots The Rip with an old-fashioned punch. The cinematographer was always looking back to the past on the Joe Carnahan film, which is arguably more noir than action-thriller. Shadows loom large over the...
-
From Harry Potter Fanfic to Netflix Hit: Yulin Kuang’s Journey to ‘People We Meet on Vacation’
Screenwriter Yulin Kuang discusses her Harry Potter fanfic roots, directing Beach Read, and why she fought to keep People We Meet on Vacation "horny and sexy" in an era of sexless films.
-
Co-Showrunner Romeo Candido Talks ‘Gangnam Project’ Finding New Life on Netflix and Working With August Rigo
Gangnam Project is hoping to find new life two years after it initially aired on CBC Gem in Canada and CBBC in the United Kingdom. Netflix has now licensed the show’s first season in many regions,...
-
‘Finding Her Edge’ Showrunner Jeff Norton on Casting, Jane Austen Inspirations, and Plans for a Potential Season 2
Jeff Norton weighs in on the series, including the all-important question: Team Freddie or Team Brayden? Plus he touches on the potential of Season 2.
-
Wesley Cardino Talks Cinematography on Netflix’s ‘Nobody Wants This’
Nobody Wants This is a sunny Los Angeles romance. The Erin Foster-created series is often light on its feet, which is no easy feat to pull off. While the comedy can go broad, that lightness...
-
Joe Carnahan on ‘The Rip’: Treating Money as a Ghost and Directing Matt Damon & Ben Affleck
Carnahan talks to What's on Netflix about collaborating with Academy Award winners Matt Damon and Ben Affleck and the intense, claustrophobic set pieces that define the film.
-
How Chris Chibnall Cracked the Code for Netflix’s Agatha Christie Adaptation ‘Seven Dials’
Chris Chibnall weights in on his adaptation of Agatha Christie's Seven Dials.
-
‘People We Meet on Vacation’ Designer Reveals How They Recreated That Iconic Book Cover Moment
People We Meet on Vacation is sweet comfort for any fans of romantic comedies. Based on the Emily Henry novel, Brett Haley’s film has got the awkward meet-cute, a dance sequence, and globe-trotting lovers...
-
What’s the Future of ‘Spirit Crossing’ and ‘Cozy Grove’ on Netflix and at Spry Fox? Founder David Edery Tells All
In early December, news broke that Spry Fox, one of Netflix’s earliest acquisitions in the gaming space, would no longer be under the Netflix umbrella, with the founders taking back the reins and the company’s...
-
How The Beast in Me Built Its Skin-Crawling Score, Straight From the Composers
Composers Sean Callery and Sara Barone break down how restraint, brittle textures, and subconscious unease shaped the psychological duel at the heart of Netflix’s The Beast in Me.
-
Netflix’s Go-To Director Stephen Surjik on ‘The Abandons’ and Making the Old West Feel Lethal
The Daredevil and Umbrella Academy director breaks down shooting The Abandons, from brutal Alberta locations to grounding a Western in real danger and character.
-
Showrunner Tasha Huo on Final Season of Netflix’s ‘Tomb Raider’ Series and ‘The Mighty Nein’
Showrunner Tasha Huo reflects on giving Lara Croft more joy, deeper cultural context, and emotional freedom in the final season of Netflix’s Tomb Raider: The Legend of Lara Croft.
-
How Kirston Leigh Mann Turned Ted Danson Into a Suit-Wearing Spy for ‘A Man on the Inside’ Season 2
Costume designer Kirston Leigh Mann breaks down Charles Nieuwendyk’s evolution from crisp academic to suave spy, and why Ted Danson might be the easiest man on television to dress.
-
Director Mike Rohl on Crafting Netflix’s Feel-Good Christmas Hit ‘My Secret Santa’
The director behind The Princess Switch breaks down real winter shoots, improv-fueled romance, and the small visual choices that helped turn My Secret Santa into a cozy Netflix crowd-pleaser.
-
How Cinematographer Steve Yedlin Shot Netflix’s Darkest Benoit Blanc Mystery ‘Wake Up Dead Man: A Knives Out Mystery’
Steve Yedlin reveals how Rian Johnson’s latest Benoit Blanc mystery uses light and darkness to guide the audience toward the truth.
-
How Jay Kelly Was Shaped in the Edit, According to Co-Editor Rachel Durance
The Jay Kelly co-editor breaks down Noah Baumbach’s rhythms, Clooney’s editorial generosity, and how pacing, memory, and restraint shape the film’s most devastating moments.
-
‘Troll 2’ Writer Espen Aukan on Going Bigger, Going Darker, and Killing a Fan Favorite
From Michael Bay nods to Empire Strikes Back logic, the Troll writer explains how the sequel found its tone.
